{ "clip_details": { "clip": { "is_admin": 0, "is_owner": 0, "handle": "exodus-map", "title": "Exodus Map", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "Exodus Map", "user_image": "", "user_image_original": "", "body": "<p>Exodus Map</p>", "cliptype": "image", "clipsource": "https://www.bible-history.com/old-testament/exodus-from-egypt.html", "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": "https://assets.haggadot.com/clips/182702/exodus-from-egypt.png", "audio": null, "video": null }, "thumbnail": "https://assets.haggadot.com/clips/182702/conversions/exodus-from-egypt-cover.jpg", "clip_section": [ { "haggadah_section": "Introduction", "slug": "introduction" } ], "likes": 0, "downloads": 636, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Exodus Map | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/exodus-map", "og:title": "Exodus Map | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "https://assets.haggadot.com/clips/182702/conversions/exodus-from-egypt-cover.jpg" } } }, "contributed_by": { "author": "Sam Stabler", "handle": "samstabler132929", "author_initials": "SS", "total_books": 0, "total_clips": 8, "total_followers": 0, "is_following": 0 }, "user_book": null, "clips_by_author": [ { "clip": { "is_admin": 0, "is_owner": 0, "handle": "prince-free", "title": "Prince - Free", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "[Verse 1] Don't sleep until the sunrise, listen to the falling rain Don't worry about tomorrow, don't worry about your p...", "user_image": "", "user_image_original": "", "body": "<p>[Verse 1]<br />\nDon't sleep until the sunrise, listen to the falling rain<br />\nDon't worry about tomorrow, don't worry about your pain<br />\nDon't cry unless you're happy, don't smile unless you're blue<br />\nNever let that lonely monster take control of you<br />\n<br />\n[Chorus]<br />\nBe glad that you are free<br />\nFree to change your mind<br />\nFree to go most anywhere, anytime<br />\nBe glad that you are free<br />\nThere's many a man who's not<br />\nBe glad for what you had baby, what you've got<br />\nBe glad for what you've got<br />\n<br />\n[Verse 2]<br />\nI know your heart is beating, my drummer tells me so<br />\nIf you take your life for granted, your beating heart will go<br />\nSo don't sleep until you're guilty, because sinners all are we<br />\nThere's others doing far worse than us, so be glad that you are free<br />\n<br />\n[Chorus]<br />\n<br />\n[Verse 3]<br />\nSoldiers are a marching, they're writing brand new laws<br />\nWill we all fight together for the most important because?<br />\nWill we all fight for the right to be free?<br />\nFree (Be glad that you are free)<br />\nFree to change my mind (Free to change your mind)<br />\nFree to go most anywhere, anytime (Free to go most anywhere,anytime)<br />\nI'm just glad, I'm just glad I'm free, yeah (Be glad that you are free)<br />\nThere's many a man who's not (There's many a man who's not)<br />\nGlad for what I had baby, (Be glad for what you had and)<br />\nGlad for what I got, oh yeah (for what you've got)<br />\nOh I'm just glad, I'm just glad I'm free,yeah (Be glad that you are free)<br />\nFree to change my mind (Free to change your mind)<br />\nFree to go most anywhere, anytime (Free to go most anywhere,anytime)<br />\n(Be glad that you are free)<br />\n(There's many a man who's not)<br />\nI'm so... (Be glad for what you had and for)<br />\n(what you've got)</p>\n", "cliptype": "text", "clipsource": "", "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "Songs", "slug": "songs" } ], "likes": 0, "downloads": 190, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Prince - Free | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/prince-free", "og:title": "Prince - Free | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } }, { "clip": { "is_admin": 0, "is_owner": 0, "handle": "judee-sill-phantom-cowbory", "title": "Judee Sill - The Phantom Cowbory", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "I have seen the phantom cowboy ride His trail of dust is in my dreams With an eagle on his shoulder through the clouds h...", "user_image": "", "user_image_original": "", "body": "<p>I have seen the phantom cowboy ride\nHis trail of dust is in my dreams\nWith an eagle on his shoulder through the clouds he glides\nAnd sprints across the spacial streams\nBut the ledge is steep\nAnd the light is dark\nStill I see him leap\nAnd he keeps on headin' for a star\nThat's not very far, he's travelin' on a silver filigree\n\nI've been waitin' at the eastern gate\nI waved my hand to flag him down\nI always hope to catch him but he just can't wait\nHe's not allowed to reach the ground\nBut his touch can heal\nWhen the light is dark\nDoesn't need a shield\nCuz he keeps on headin' for a star\nThat's not very far, he likes it all just because it's real\n\nTho' I'm sittin' in the grit and grime\nThe spark of hope is in me strong\nI'm gonna try to get there in the nick of time\nAnd maybe I can ride along\nIf I have no fear\nWhen the light is dark\nI can feel you near\nTho' you keep on headin' for a star\nThat's not very far, please don't forgit (sic)\nIf your way is clear, I'll be waitin' here</p>\n", "cliptype": "text", "clipsource": "", "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "Songs", "slug": "songs" } ], "likes": 0, "downloads": 192, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Judee Sill - The Phantom Cowbory | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/judee-sill-phantom-cowbory", "og:title": "Judee Sill - The Phantom Cowbory | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } }, { "clip": { "is_admin": 0, "is_owner": 0, "handle": "lnag-rebellion-raged-within-me-1948", "title": "Lang \"Rebellion Raged Within Me\" (1948)", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "Father had lived in Chicago during his first, brief stay in America. My mother's brother... was living there, and so wer...", "user_image": "", "user_image_original": "", "body": "<p><span><span>Father had lived in Chicago during his first, brief stay in America. My mother's brother... was living there, and so were other relatives, pioneers who had blazed a trail from Korosotyshev to the metropolis of the Middle West. The dominant figure of the group was Aunt Yente Chave.</span></span></p>\n\n<p><span><span>[Aunt Yente] Chave interpreted America to countless Jewish immigrants. She refused to encourage their longing for the old country. \"Everybody should run away from Russia,\" she told them, indignantly; \"everyone should come to America. What did you have in Russia?\" she would ask. \"Pogroms you had! Why don't you read the papers and see for yourself? So, you don't like America? Woe is me and woe is Columbus!\"</span></span></p>\n\n<p><span><span>For $4.50 a month Aunt Yente Chave rented rooms for us in the basement of the house on Morgan street in which she lived, and she also found for us an unsteady table, some lame chairs, a rusty bed, and an ancient sofa. </span></span></p>\n\n<p><span><span>The basement was divided in two, and we lived in the part towards the street. The front room had a barred window, through which we could see only the feet of passers-by and the rats that thronged under the wooden sidewalk. The second room was the kitchen and in it was a smoky stove. Then there was a half room, like a cave dug into a black cliff, and the bed was placed there, near the windowless wall. The other half of the basement contained the toilet and the coal bins, which were infested with rats as big as cats. When the tenants came to get coal, they had to fight the rats, which fled towards our apartment. Mother, who was very unwell, lived in dread of the rats. </span></span></p>\n\n<p><span><span>Aunt Yente Chave wanted to know what I did at Hull House, and when she heard that I was connected with a dance group, she cocked her head and put on an expression of deep significance as she always did when she was investigating sins \"So that's it!\" she said \"No good will come of her!\"</span></span></p>\n\n<p><span><span>Seething with rage, I ran to tell Jane Addams [the famous American pragmatist philosopher, and co-founder of Hull House]. After listening patiently to my story, she agreed to talk with Aunt Yente Chave. When these two met, the contrast was magnificent. They were both strong-willed women, but their backgrounds were utterly different. Behind Aunt Yente Chave were generations of men and women who had suffered every kind of hardship and persecution in order to live in the way they believed to be right. To her, the least derivation from the established code threatened the whole structure. Jane Adams, on the other hand, the product of generations of freedom and security, believed that standards of conduct could and should be based on reason. </span></span></p>\n\n<p><span><span>Hardly speaking the English language, the matriarch from the Russian Pale understood the lady from Cedarville, Illinois, and made herself understood. \"Traditions of the home\" said Aunt Yente Chave, \"and commands of the parents must be the basis of the training of the young.\"</span></span></p>\n\n<p><span><span>\"The young must be fee to experiment\" Miss Addams replied. \"They must learn to understand the meaning of right and wrong. Life should be interesting and joyful for them.\"</span></span></p>\n\n<p><span><span>\"Ah,\" said the matriarch \"we have joy in our homes. We have our celebrations our weddings. And we know the needs of girls. First, they need loving, watchful parents. Then early marriage and a happy home of their own. I have daughters, so I know this.\"</span></span></p>\n\n<p><span><span>\"I cannot speak from experience,\" Miss Addams interrupted. \"I have not daughters.\"</span></span></p>\n\n<p><span><span>\"Only boys?\"</span></span></p>\n\n<p><span><span>\"No children at all.\"</span></span></p>\n\n<p><span><span>\"God have mercy.\"</span></span></p>\n\n<p><span><span>\"I have never married.\"</span></span></p>\n\n<p><span><span>\"So, you don't know nothing at all.\"</span></span></p>\n\n<p><span><span>It was funny, and yet it was sad. Poor Aunt Yente Chave knew how easily a family could be destroyed, its members set to wandering along the highways and byways of exile, never safe from persecution, never secure. What greater opportunity could America offer her than the chance to build an abiding home for her tribe for generations to come? How could she tolerate the least weakening of her power, which was the essential instrument of the only kind of survival she could understand. </span></span></p>\n\n<p><span><span>Jane Addams could not budge Aunt Yente Chave, but she convinced my parents, and I was grudgingly permitted to return to Hull House. Buy by now, my eyes were dazzled by a brighter vision of freedom... </span></span></p>", "cliptype": "text", "clipsource": "From Lucy Robin Lang's \"Tommorrow Is Beautiful\" (1948)", "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "Kadesh", "slug": "kadesh" } ], "likes": 0, "downloads": 193, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Lang \"Rebellion Raged Within Me\" (1948) | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/lnag-rebellion-raged-within-me-1948", "og:title": "Lang \"Rebellion Raged Within Me\" (1948) | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } }, { "clip": { "is_admin": 0, "is_owner": 0, "handle": "it-wasn-t-difficult-for-me-to-reject-judaism", "title": "Paul Jacobs \"It wasn't Difficult for Me to Reject Judaism (1965)\"", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "It wasn't difficult for me to reject Judaism. Whatever content it had was completely lacking the pallid diet of pap I wa...", "user_image": "", "user_image_original": "", "body": "<p><span><span>It wasn't difficult for me to reject Judaism. Whatever content it had was completely lacking the pallid diet of pap I was fed every Sunday at temple. And all I learned about being Jewish at home was a set of defensive standards. There were limits, for example, to what Jews could expect from Gentiles, and proper behavior for Jews was based often on the fear that the Gentile world might respond badly to other patterns of action if taken by Jews. All of this knowledge was encompassed in one of the few Yiddish phrases I learned at home: a Jew did not make \"rishis\"</span></span></p>\n\n<p><span><span>To \"make rishis\" was to stir up a fuss of some kind, and it was a cardinal sin, for it supposedly made Jews vulnerable to the potential wrath of the Christian world. This world was conceived of as something like a potentially evil sleeping giant who, if awakened by a loud noise, might, and probably would, turn on the disturber of his peace and do him harm. </span></span></p>\n\n<p><span><span>I have a hunch, too, that one of the unconscious precursors toward radicalism was the movement provided an atmosphere in which I could reject being Jewish without any feelings of guilt. One of the first rituals in the radical movement was the adoption of a party name by which one was to be known in the organization. The origin of the custom was legitimate enough: revolutionists in Europe and Russia always took false names a device to handicap police persecution. The same technique in American radical organizations may not have been justified by that reason, but it did give us a link, a romantic identification, with the revolutionary heroes of the past.</span></span></p>\n\n<p><span><span>Even granting the legitimate need we felt to change our names in order to escape possible consequences, why was it that so many of the Jewish radicals took as their cover names that were conspicuously non-Jewish? No comrade Cohen ever adopted Ginsberg as a party name; instead he became Green or Smith or Martin, or something equally bland. So, too, when for a short time I became Paul Jackson in the little red membership book, it was because Jackson was a less Jewish name than Jacobs and therefore somehow more American. </span></span></p>\n\n<p><span><span>Yet many of the comrades I met then came from Yiddish-speaking homes, and their conversations were so strewn with the rich Yiddish phrases they had learned from their parents that I too, began to absorb them into my vocabulary. But the pronounced Jewish flavor which permeated the New York radical movement had nothing religious about it. Quite the opposite: the entire Yiddish Socialist and radical milieu was militantly atheist or agnostic. </span></span></p>", "cliptype": "text", "clipsource": null, "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "Urchatz", "slug": "urchatz" } ], "likes": 0, "downloads": 208, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Paul Jacobs \"It wasn't Difficult for Me to Reject Judaism (1965)\" | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/it-wasn-t-difficult-for-me-to-reject-judaism", "og:title": "Paul Jacobs \"It wasn't Difficult for Me to Reject Judaism (1965)\" | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } }, { "clip": { "is_admin": 0, "is_owner": 0, "handle": "boiling-over-2008", "title": "Maria Balinska 'Boiling Over' (2008)", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "The year 1882 saw the beginning of a mass exodus of Jews - men, women, and children - from Eastern Europe to America. Ov...", "user_image": "", "user_image_original": "", "body": "<p><span><span>The year 1882 saw the beginning of a mass exodus of Jews - men, women, and children - from Eastern Europe to America. Over two million people arrived in the years leading up to the First World War, an annual average of more than sixty thousand. Carrying little more than small bundles of clothing and about $26 worth of saving, the majority headed straight for the crowded streets of the Lower East Side of Manhattan Island. 'The pent-in sultry atmosphere' wrote the journalist Abraham Cahan... 'was laden with nausea and pierced with a discordant and, as it were, plaintive buzz.' </span></span></p>\n\n<p><span><span>The burgeoning Jewish community needed kosher food and hence the religious supervision of baking to guarantee there had been no contact with forbidden fats or meats. Food provided one of the few available constants and comforts in these new alien surroundings. 'Like every foreign colony in this city' Abraham Cahan observed, 'the Russian and Polish Jews cling to their methods and form in the matter [of bread].\"] The new immigrants wanted breaded which tasted the way it did back home: dark rye, braided challah and, of course, bagels.</span></span></p>\n\n<p><span><span>Bagels were part of the standard selection produced by bakeries on the Lower East side whose numbers increased as the immigrants flooded in. The conditions were terrible. The Lower East Side bakeries were located mainly along or, to be more precise, <em>under</em>, Hester and Rivington Streets, down steep flights of stairs to a space rarely higher than 7 foot. Because of the rudimentary ovens, the temperature was fierce and on the whole, impossible to control. There was no ventilation. Bakers worked stripped to their waist for thirteen or fourteen hours a day, seven days a week. Typically, young and unmarried, they often lived at their workplace sleeping between the mounds of rising dough and the oven with cats, rats and cockroaches 'as big as birds' for company. Illness was common and lifespan short. And if they did somehow manage to find wife and start a family, it was not unheard of for bakers not to recognize their own children, so rarely were they at home.</span></span></p>\n\n<p><span><span>Hyam Plumka was seventeen when he arrived in the United States and began working as a bread carrier. 'Such slavery went on in all the bakeries... the workday was eighteen hours in a twenty-four-hour period - from four in the morning until ten at night... On Thursday nights the bakers did not let me sleep at all.' His description of how bakeries cut corners turns the stomach: \"In every Jewish bakery the bakery bosses used 'spoiled eggs' that is, eggs that were already very old and could not be sold. The bread carrier had to gather them and put them in a big cup. When I went to gather the eggs, it didn't go well. For inside some of the broken eggs were 'little animals'. Some of the eggs gave a burst when I cracked them open. My hands became full of white worms. The worms were crawling all over the shells of the eggs... Every baker used the spoiled eggs... The same kind of cheating went on in all the Jewish bakeries.\"</span></span></p>\n\n<p><span><span>Despite the miserable working conditions and the cruel disappointment, they must have felt, the new arrival were not, to begin with, interested in challenging the system. Exhaustion was an obvious but not insignificant factor. At the same time, there was little desire to limit working hours; every extra dollar earned meant a dollar saved for a wife's or parent's Atlantic passage. </span></span></p>", "cliptype": "text", "clipsource": "Maria Balinksa \"The Bagel: The Surprising History of a Modest Bread\" (2008)", "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "Yachatz", "slug": "yachatz" } ], "likes": 0, "downloads": 193, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Maria Balinska 'Boiling Over' (2008) | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/boiling-over-2008", "og:title": "Maria Balinska 'Boiling Over' (2008) | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } }, { "clip": { "is_admin": 0, "is_owner": 0, "handle": "fromm-the-concept-of-history-1966", "title": "Fromm \"The Concept of History\" (1966)", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "", "user_image": "", "user_image_original": "", "body": "", "cliptype": "text", "clipsource": null, "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "-- Four Questions", "slug": "four-questions" } ], "likes": 0, "downloads": 171, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Fromm \"The Concept of History\" (1966) | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/fromm-the-concept-of-history-1966", "og:title": "Fromm \"The Concept of History\" (1966) | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } }, { "clip": { "is_admin": 0, "is_owner": 0, "handle": "heschel-faith-1996", "title": "Heschel \"Faith (1996)\"", "author": "Sam Stabler", "author_handle": "samstabler132929", "author_initials": "SS", "covertext": "Faith is sensitiveness to what transcends nature, knowledge and will, awareness of the ultimate, alertness to the holy d...", "user_image": "", "user_image_original": "", "body": "<p><span><span>Faith is sensitiveness to what transcends nature, knowledge and will, awareness of the ultimate, alertness to the holy dimension of all reality. Faith is a force in man, lying deeper than the stratum of reason and its nature cannot be defined in abstract, static terms. To have faith is not to infer the beyond from the wretched here, but to perceive the wonder that is here and to be stirred by the desired to integrate the self into the holy order of living. It is not a deduction but an intuition, not a form of knowledge, of being convinced without proof, but the attitude of mind toward ideas whose scope is wider than its own capacity to grasp. </span></span></p>\n\n\n\n<p><span><span>Such alertness grows with the sense for the meaningful, for the marvel of matter, for the core of thoughts. It is begotten in passionate love for the significance of all reality, in devotion to the ultimate meaning which [to those who have faith] is only God. By our very existence we are in dire need of meaning, and anything that calls for meaning is always an allusion to Him. We live by the certainty that we are not as dust in the wind, that our life is related to the ultimate, the meaning of all meanings. And the system of meanings that permeates the universe is like an endless flight of stairs. Even when the upper steps are beyond our sight, we constantly rise toward the distant goal.</span></span></p>", "cliptype": "text", "clipsource": null, "featured": 0, "featuredIn": null, "is_public": 1, "is_published": 1, "media": { "image": null, "audio": null, "video": null }, "thumbnail": null, "clip_section": [ { "haggadah_section": "Introduction", "slug": "introduction" } ], "likes": 0, "downloads": 164, "tags": [], "themes": [], "language": "0", "is_bookmarked": "0", "is_liked": 0, "meta_tags": { "title": "Heschel \"Faith (1996)\" | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/heschel-faith-1996", "og:title": "Heschel \"Faith (1996)\" | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "" } } } ], "clip_remake_history": 0, "meta_tags": { "title": "Exodus Map | Passover haggadah by Sam Stabler", "description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "keywords": "", "og:type": "article", "og:url": "https://www.haggadot.com/clip/exodus-map", "og:title": "Exodus Map | Passover haggadah by Sam Stabler", "og:description": "Our simple platform allows you to create a custom Passover Haggadah, with access to unique content contributed by our community. Find artwork, family", "og:image": "https://assets.haggadot.com/clips/182702/conversions/exodus-from-egypt-cover.jpg" } }